This piece is part of my coral series of vases ^_^.
I start by throwing a tall cylinder with a lip that curves inwards. Then I cover the piece to let it dry to almost leather dry, not too dry that it cracks when manipulated, and not too wet that the clay sticks to your fingers when working with it.
On day two, I cut into the clay to form inward curves and horns. After this second stage, I completely cover the clay for one day to rest before dimpling it. I find that letting clay rest after cutting and joining parts helps strengthen those connections.
For stage three, I use different tools such as the back of paint brushes, chopsticks, etc. to dimple lines along the body. After the dimpling stage, I bag the clay fully and allow it to dry slowly over several days.
Firing: High fire reduction
Clay: Bmix
Glazes at Echo art studio
